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Chapter 4 - The Shadow on the Threshold

Claire did not take the card immediately.

She sat frozen on the leather seat, the damp lake wind swirling in through the open door, chilling the exposed skin of her ankles.

She stared at Gabriel Mercer’s face.

He looked completely unbothered, as though offering a woman a fortune or a death sentence was nothing more than checking the time.

“You set me up,” she whispered.

“I did not ask you to cover Pike’s glass, Miss Bennett,” Gabriel replied softly.

“You chose to step into the light.

Once you do that, the shadows take notice.”

Claire grabbed the ivory card from the console.

Her knuckles brushed against Gabriel’s leather-gloved fingers.

A spark of static seemed to jump between them.

She scrambled out of the car, slamming the heavy door behind her.

The silver sedan did not linger.

Elias accelerated smoothly, the tires hissing against the wet asphalt, disappearing around the corner of Belmont Avenue within seconds.

Claire stood on the cracked concrete sidewalk under the buzzing neon sign of the Suds & Sun Laundromat.

The rhythmic thump-thump-thump of an unbalanced industrial washing machine vibrated through the floorboards beneath her feet.

It was two o'clock in the morning.

She hurried toward the narrow side door that led to the upper apartments.

Her keys felt heavy and wet in her shaking hands.

She unlocked the street door, slipped inside, and threw the heavy deadbolt.

The entryway smelled of damp drywall, frying oil from the taco stand next door, and cheap pine cleaner.

She climbed the three flights of stairs, taking them two at a time, her ears straining for any sound behind her.

Floorboards creaked above.

A television muttered behind Apartment 2B.

Normal city sounds.

Nothing to fear.

Yet her skin prickled with the distinct sensation of being watched.

She reached her apartment at the end of the third-floor hallway—Apartment 3F.

She slid her key into the lock, turned it, and stepped quickly into the dark foyer.

She pushed the door shut, locked the deadbolt, fastened the security chain, and leaned her forehead against the cool wood.

Her chest rose and fell in ragged gasps.

“You’re safe,” she whispered to herself.

“You’re in your home.”

She didn't turn on the overhead light.

Living on the edge of poverty taught you caution, but living in a crime boss’s crosshairs demanded instinct.

She kept the apartment dark, allowing the ambient amber glow from the streetlamps outside to illuminate the room.

The apartment was small—four hundred square feet of worn parquet flooring, a secondhand sofa covered with a gray wool throw, and a kitchenette with two burners.

Against the far wall stood her father’s antique mahogany desk, the only piece of furniture she had refused to sell.

Stacks of academic journals, dictionaries, and half-filled notebooks covered the surface.

Claire walked to the window, standing behind the thin lace curtain, and looked down at the street.

Parked directly across from the laundromat, under the shadow of an overgrown elm tree, was a dark sedan.

Not Gabriel’s silver Mercedes.

This car was an older model American sedan.

Its headlights were off.

A single ember of a cigarette burned behind the cracked driver’s side window.

Claire drew back behind the wall, her heart slamming against her ribs like a trapped bird.

Pike’s men.

They hadn't taken thirty minutes to track her down.

In the modern world, a license plate, a social security number from a restaurant personnel file, or twenty dollars handed to a dishwasher was all it took to buy an address.

They were waiting.

For what?

For the street to empty completely?

For dawn?

Or for Gabriel Mercer’s protection to prove itself an illusion?

Claire moved quickly across the room to her father’s desk.

She pulled open the bottom drawer, reaching past old tax forms and carbon paper until her fingers found a velvet-lined wooden box.

She opened it.

Inside lay an old lacquer pen case, her father’s gold university pin, and an audio cassette labeled in neat kanji: Kurohana Investigation, 1994.

Her father had never spoken about his consulting work for the Osaka prefectural police.

To Claire, he had always been an eccentric academic who wore tweed jackets with elbow patches and forgot where he left his reading glasses.

But when the medical bills had started piling up, she had found this box tucked inside his safety deposit box.

She had never listened to the tape.

She hadn't wanted to know what dark corners her gentle father had wandered into.

Now, the name Kurohana had walked out of an old cassette tape and sat beside her in a silver luxury car.

Her phone buzzed on the table.

The sudden vibration made her jump.

She looked at the screen.

It was an unknown number.

She hesitated, then swiped to accept the call.

She didn't speak.

“Do not turn on your living room lamp, Miss Bennett,” Gabriel’s voice said through the receiver.

He sounded as clear as if he were standing in the room with her.

“The man in the sedan across the street has a high-powered scope.”

Claire swallowed a scream, dropping to her knees below the level of the window sill.

“How do you have this number?”

“You left your resume on Douglas Crane’s desk,” Gabriel said smoothly.

“Elias is very thorough.”

“There’s a man outside my apartment, Mercer!” she hissed, anger finally breaking through her panic.

“You brought this to my door!”

“No,” Gabriel replied, his voice chillingly composed.

“Warren Pike brought this to your door.

I am merely offering the extraction.”

“What extraction?”

“Look out your kitchen fire escape.”

Claire crawled across the worn rug into the tiny kitchen.

The kitchen window opened onto a narrow iron fire escape hanging over the dark rear alley.

She peeked over the sill.

Standing on the fire escape platform, soaked in the cold Chicago drizzle, was Elias Reed.

He wasn't holding a weapon.

He held a black umbrella in one hand and a large canvas duffel bag in the other.

“Two minutes, Miss Bennett,” Gabriel’s voice continued in her ear.

“Pack your father’s research papers and your passport.

May you like

Leave everything else.

Warren Pike’s associates are coming up the front stairs.”

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